1. What to expect at NAMM 2025 - MusicTech
4. Best DAWs 2025: The best digital audio workstations for PC and Mac - MusicRadar
5. Bi-Weekly-ish Newsletter #69 w/ YoungCapital's Body Horror
6. RoEx Teams Up with Ableton Live to Simplify Music Production - Magnetic Magazine
14. The Nord Piano 6 brings advanced layering functionality and new effects - MusicTech
18. Caldecott Music Group announces two key divisional appointments - MusicTech
22. Horizon Capital highlights MusicTech as a key sector in 2025 - CTech
23. Woodhaven HS awarded J Dilla music grant - MSN
24. NAMM 2025 Synth and Music Tech News - Synth Anatomy
26. CEO of AI music app Suno criticised over claims most people "don't enjoy" making music - Mixmag
27. Tech giants’ DEI programs under threat as Trump inauguration nears - Music Ally
28. Sync Music Platform SourceAudio Celebrates Record Year In 2024 - Record of the Day
30. Big Music Business Myth #3: Weird Al’s Spotify Sandwich [Chris Castle] - hypebot.com
31. NAMM 2025: XILS-lab promises "virtual Vangelis" with its new Yamaha CS-80 emulation - MusicRadar
32. CDR launches Pathways: Three-year program to nurture electronic music talent - Electronic Groove
33. The rise of digital music in Africa - NewsBytes
37. SOTY 2023/24: Best Devotion to School winner pushes boundaries in music and tech - YP
40. Best vocal mics 2025: Our top vocal microphones for stage and studio - MusicRadar
42. Daddy Yankee’s Digital Revolution! How AI is Influencing His Music - La Noticia Digital
45. Music industry girds for looming US TikTok ban - Digital Journal
48. This Revolutionizes Live Music! Madonna’s AI Magic Unveiled - Kuhinje EWE Daily
The NAMM Show 2025 is set to be a monumental event in the music technology calendar, taking place at the Anaheim Convention Centre from January 23 to 25, 2025, with a press preview day on January 22. This year, over 3,500 companies will exhibit a vast array of products, including guitars, synths, drum machines, and more. Despite the ongoing Los Angeles wildfires, NAMM has confirmed that the show will proceed as planned. The event promises to deliver an overwhelming amount of sensory experiences, from product demos and artist performances to insightful talks and panels.
Notable returns include Behringer, which is making a comeback after a decade-long absence, set to showcase "groundbreaking new products" alongside its Music Tribe brands like Aston Microphones and TC Electronic. Fender, another major player, will also return after a four-year hiatus, likely bringing updates to its lineup and possibly integrating its recent acquisition of PreSonus into the mix. The show will feature performances by A-list artists such as Jack White, Jacob Collier, and Peter Frampton, ensuring a blend of industry innovation and musical inspiration. Additionally, the NAMM Marketing Summit on January 21 and 22 will offer valuable insights into digital marketing and content creation for musicians and manufacturers alike.
Cesar Perez and Tamara Palmer are the first graduates from Northeastern University’s Miami campus, marking a significant milestone for the institution. Both immigrants to the United States, they have unique stories that highlight their drive and ambition. Cesar, born in Cuba and raised in the U.S., is set to join the U.S. Marine Corps as an officer, driven by a desire to give back to his adopted country. His academic journey at Northeastern culminated in a bachelor’s degree in interdisciplinary business studies, and he has been recognized as a Huntington 100 honoree for his outstanding contributions.
Tamara Palmer, who moved from Jamaica to the U.S. at age six, pursued her passion for music while studying data analytics. Her talents have already been showcased in the film "Girls Trip," but she is now focusing on a career in music technology. Both Cesar and Tamara embody the spirit of Northeastern University, demonstrating how higher education can open doors to personal and professional growth. Their achievements are a testament to their resilience and the support they received at the Miami campus, which continues to inspire future generations of students.
£362 / $450 / €360, somasynths.com
Who doesn’t love a good drone? The rich, resonant tones of a few notes or just one can convey deep emotions and intentions in music. Soma Laboratory has been at the forefront of creating unique drone instruments, with their Lyra-8 gaining recognition even in mainstream media like Apple promo videos. However, these bespoke instruments often come with a hefty price tag, such as the $800 Lyra-8.
Soma has now introduced the Lyra-4, a more affordable version that maintains much of its predecessor's charm and complexity. Priced at $450, this instrument features four voices but lacks a traditional keyboard. Instead, it uses unquantised knobs for manual tuning, allowing users to explore microtonality and dissonance. While this can be challenging, especially when trying to sync with other instruments, the Lyra-4's raw, unpredictable sound is its strength. It’s designed for those who enjoy the process of experimentation and are willing to embrace the fickle nature of analog signals.
The Lyra-4's design draws inspiration from early electronic music studios like the BBC Radiophonic Workshop, featuring a rich but unstable tone that feels more experimental than conventional. With no ADSR envelopes or filter cutoffs, and modules presented in unconventional ways, this instrument is all about exploring the unpredictable results of analog signals interacting. The visceral hardware, including conductive sensors for note triggering, adds a physical dimension to the sound creation process, making it one of the most engaging and interactive synths available today. Whether you’re looking to create haunting atmospheres or sci-fi sound effects, the Lyra-4 is a powerful tool for those who are willing to let go of control and embrace the chaos.
A Digital Audio Workstation (DAW) is a software application that allows you to record, edit, and produce audio files. Here’s a breakdown of how it works:
At MusicRadar, we have a rigorous testing process to ensure our reviews are accurate and helpful. Here’s how we test DAWs:
By following these steps, we ensure that our reviews provide a comprehensive and practical assessment of each DAW, helping you make an informed decision when choosing the right software for your music production needs.
Hey Reader,
A fresh 2025 edition of the bi-weekly newsletter on music, tech, culture, and more by Marcel Alexander Wiebenga brings a mix of bizarre and nostalgic content. This issue kicks off with a delightfully strange commercial from Amsterdam's ACE agency and director Angelo Cerisara for YoungCapital, an employment agency targeting students and young professionals. The campaign introduces "BOOOMer," a fictional energy drink that blends body horror, workplace comedy, and high fashion aesthetics in a Cronenbergian techno musical, creating a unique social commentary.
Next up is a nostalgic trip with Colgate's 1984 commercial featuring Madness’s “Baggy Trousers.” This ad ingeniously repurposes the ska classic to promote dental hygiene, making it a hit even for those who aren’t fans of the genre. The commercial captures the band's cheeky energy and blends it seamlessly with the product’s promise of fresh breath and shiny teeth. Whether you're a vintage ad enthusiast or just looking for a dose of nostalgia, this gem is a must-watch.
Enjoy!
2025 is already shaping up to be an exciting year for music producers, thanks to RoEx's significant update to its flagship tool, Automix. This AI-driven technology has now been seamlessly integrated with Ableton Live, one of the most widely used digital audio workstations (DAWs) in the industry. For those who have struggled with achieving a polished mix or have avoided mixing altogether due to its complexity, this integration offers a game-changing solution. Automix automates essential mixing tasks such as balancing levels, EQ, compression, and reverb, all within minutes, providing a professional-sounding starting point for your tracks.
The real magic of Automix lies in its ability to export the entire project as an Ableton Live Set, giving users full control over their mixes while retaining all settings, stems, and effects. This means you can fine-tune every aspect of your track within Ableton, preserving your creative vision while saving time and maintaining a high-quality output. David Ronan, CEO of RoEx, emphasizes the tool's significance: "Our integration with Ableton Live marks a significant step toward making professional-grade music production accessible to all. Automix provides a starting point that reflects each artist’s unique sound, while the export feature allows them to build on that foundation with full creative freedom." Whether you're a seasoned producer or just starting out, this update from RoEx is poised to revolutionize the way you approach music production.
Hit-Boy has long been the architect behind some of music’s most unforgettable moments. From producing chart-topping hits for legends like Beyoncé, JAY-Z, and Nas to carving out his own legacy as a transformative artist, he has redefined what it means to leave an indelible mark on the industry. His unique ability to bridge the worlds of Hip Hop, R&B, and pop has not only earned him many accolades but also positioned him as one of the most sought-after producers of his generation.
Now, Hit-Boy is taking his artistry to new heights by blending his passion for music with innovative technology in a groundbreaking partnership with D’USSÉ cognac. This collaboration introduces The Set, an augmented reality (AR) experience that merges music and mixology to elevate holiday gatherings. In an exclusive chat with REVOLT, Hit-Boy shares more about this unique venture, reflecting on how it aligns with his vision of pushing the boundaries of music and lifestyle branding. He also discusses his diverse range of collaborations and the importance of staying grounded in his artistic standards amidst industry recognitions like Grammy nominations.
Major tech executives are set to take center stage at President Trump's inauguration on January 20, including TikTok CEO Shou Zi Chew, who has been invited to sit in a position of honor on the dais. Joining him will be prominent figures such as Jeff Bezos, Elon Musk, and Mark Zuckerberg, among other tech leaders. This significant gathering marks a notable shift in the relationship between the Trump administration and major technology companies.
The change in attitude toward TikTok is particularly striking. During his first term, President Trump sought to ban the app in the U.S. and pressured ByteDance to divest its ownership to an American company. However, as Trump prepares for his second inauguration, he has expressed support for TikTok, recognizing its role in engaging younger audiences. The incoming administration's national security adviser, Mike Waltz, has stated that efforts will be made to preserve the platform while addressing data protection concerns, offering a glimmer of hope for TikTok's future in the United States.
Reloop has unveiled the Keypad Pro, a compact DAW workstation designed for both project studios and mobile use. This all-in-one solution features a 25-key velocity-sensitive mini keypad with integrated pitch bend and modulation wheels, along with 16 velocity-sensitive RGB pads that support aftertouch for triggering drum sounds or launching clips. The controller also includes eight full channel strips with dedicated line faders, an endless encoder for panning, two potentiometers for send/return functions, and three illuminated function buttons for Channel, Solo, and Rec.
The Keypad Pro is fully integrated into Bitwig Studio and can be used plug-and-play with the DAW. It supports MIDI connectivity via USB or Bluetooth, making it versatile for different setups. Additional features include a Sustain pedal input, a 3.5mm MIDI out jack, and an integrated passive USB hub with two USB-A ports. Buyers also receive a software bundle that includes Bitwig Studio 8-Track, Loopcloud Studio access, Excite Audio Lifeline Expanse Lite, Melodics lessons, and a Serato Studio license. The Keypad Pro is priced at $249/£219/€249.
The lead-up to the 2025 Winter NAMM Show is marked by both anticipation and solidarity, as the industry rallies behind those affected by the wildfires in Los Angeles. Despite these challenges, NAMM President and CEO John Mlynczak has confirmed that the show will proceed as planned from January 21-25 in Anaheim, a city located outside the impacted area. Both local airports remain fully operational, and key industry members are still committed to attending.
The NAMM Foundation has pledged $50,000 to the LA Wildfires Relief Fund, which aims to provide assistance to those affected by the wildfires. This year's show is not only a platform for showcasing new products but also an opportunity to demonstrate unity and support within the music industry. Key exhibitors like Fender, Gibson, Ibanez, Roland, Behringer, Akai Pro, and Korg are set to return with exciting new releases. While synths may take a back seat, the focus on studio gear and pro audio equipment promises to deliver innovative offerings that cater to the evolving needs of musicians and producers.
The music industry in Los Angeles has been hit hard by the recent wildfires, which have claimed 24 lives and displaced over 180,000 people. Since the fires began on January 7th, more than 13,000 structures have been destroyed, including homes, studios, and irreplaceable music collections of numerous artists and producers. Among those affected are legendary figures like Madlib, who lost his entire record collection and recording equipment in the Palisades Fire. Bob Clearmountain, a renowned mixer known for his work with Bruce Springsteen and The Rolling Stones, also lost his home and studio. Despite the extensive damage, the global music community is rallying to support relief efforts.
Several benefit concerts have been announced by major promoters like Live Nation and Insomniac, as well as independent entities such as Another Planet Entertainment and Framework. Organizations like Universal Music Group, MusiCares, and The NAMM Foundation are providing immediate assistance and setting up funds for those affected. Individual artists are also stepping up; Beyoncé has donated $2.5 million through her charity, BeyGOOD, while members of the Eagles have pledged the same amount to FireAid. Smaller initiatives, like Tristan Hoogland's equipment drive and Alex Rodriguez’s donation of rare records from his personal collection, are making a significant difference for musicians in need. For those looking to contribute, Billboard has compiled a list of organizations addressing the crisis, ensuring that help reaches those who need it most.
When it comes to creating music, the pursuit of the latest tools and plugins can often overshadow the importance of mastering the basics. According to 47-year-old producer Scott Hansen, better known as Tycho, this gear-focused mindset is largely misplaced. In an interview with MusicTech, he emphasizes that even the most fundamental Digital Audio Workstations (DAWs) come equipped with sufficient tools to produce a vast majority of music genres. The key, he suggests, lies in understanding and utilizing these resources effectively.
Tycho also touches on the challenges artists face in the digital age, particularly when navigating online platforms. He notes that while his own fan base remains supportive and engaged, the broader internet can sometimes foster a toxic environment filled with negativity and criticism. This dichotomy between the real world and the online space can be disorienting for many artists. Despite these hurdles, Tycho remains optimistic about the power of creativity and community, encouraging musicians to focus on honing their skills rather than chasing the latest gadget.
Looking for budget-friendly gear to lift your spirits after the holiday season? Thomann has you covered with significant price cuts on a variety of Behringer products. From synths to Eurorack modules and accessories, there are impressive savings across the board, making it an ideal time to upgrade or expand your setup. Notably, Behringer’s Model 15 semi-modular analogue synthesiser is now priced at £215, down from £244. This Eurorack-compatible unit features a dual VCO design and faithfully recreates the circuitry of the iconic Moog Model 15 from the 1970s.
Other notable deals include the X32 Rack, which has been reduced to £679 from £722. This 19” rack mixer offers 32 channels, 16 XLR mic/line inputs, eight Stereo FX returns, and 25 buses, making it a versatile addition to any studio or live setup. The monophonic bass synthesiser, the Toro, is now priced at £129 (down from £138), while the eight-voice hybrid synthesiser, Wave, is available for £489 (originally £510). Launched in late 2024, the Wave features 49 full-size, velocity-sensitive keys and two Wavetable generators per voice. Additionally, Behringer’s UB-Xa, a reproduction of the classic OB-Xa from Oberheim, is now just £719, down from over £1,000.
Nord has unveiled the Nord Piano 6, a new addition to its flagship line of high-quality keyboards, available in both 73- and 88-key versions priced at £2,999 and £3,299, respectively. This latest model introduces advanced layering functionality, allowing users to blend two independent piano or sample-based synth layers simultaneously, each controlled by an LED-equipped fader. The Nord Piano 6 continues the tradition of using authentic instrument samples, including a variety of grand, upright, and electric pianos from Nord’s extensive library, enhanced with new features like Dynamic Compression and Unison.
In addition to its superior sound quality, the Nord Piano 6 boasts enhanced effects options such as new spring reverb and spin effect types, along with additional delay modes and amp tones. These effects can be applied individually to each layer, except for the global reverb, providing greater flexibility in sound design. The instrument also features 120-voice polyphony, advanced string resonance, and a selection of filter options including soft, mid, bright, and Dyno filters. For more details, visit Nord's official website.
Suno CEO Mikey Shulman has sparked controversy in the music industry with his recent comments on the creative process. In an interview on the 20VC podcast, Shulman argued that making music is often not enjoyable for most people due to the time and practice it demands. He believes that the majority of individuals do not find pleasure in the act of creating music, which he sees as a barrier to widespread participation.
Shulman envisions a future where Suno can democratize music creation by making it accessible and enjoyable for everyone, not just a select few who persevere through the challenges. His goal is to create something that impacts how a billion people experience music, emphasizing that Suno aims to transform the way people engage with music-making. However, his comments have been met with criticism from those who argue that the creative process itself, including the struggles and learning, is an essential part of what makes it fulfilling.
Softube has announced the launch of Dimensions, a versatile reverb plugin featuring six dynamic and adaptable reverb algorithms. Dubbed a "transcendent tool for your sound," Dimensions offers a range of reverbs including Spring, Plate, Concert Hall, Room, Random Hall, and Cathedral. Each mode is designed to provide unique colors and sounds, from the vibrant mechanical reverbs like Spring and Plate to the ethereal and spatially rich Concert Hall and Random Hall.
In addition to its diverse reverb options, Dimensions includes a Reverb Tail Visualiser inspired by the iconic Fairlight CMI sampler workstation and Joy Division’s Unknown Pleasures album cover. This feature allows users to visualize their reverb tails in real-time, enhancing their understanding and control over the sound. The plugin also comes equipped with a Shimmer Effect, which can transform any of the six reverbs into a shimmering soundscape, as well as a comprehensive preset collection to inspire creativity from the start. Dimensions is available at an introductory price of €99, offering producers a powerful tool for enhancing their workflow and sound quality.
The NAMM Show 2025 is set to take place from January 21-25 in Anaheim, California, despite concerns over the Los Angeles Wildfires. This year’s event promises to be a robust gathering, featuring over 3,500 music brands, more than 150 performing acts, and an expected 75,000 attendees. Notable brands like Behringer, Fender, Marshall, and Gibson are returning after several years of absence, bringing with them a plethora of new products to showcase.
MusicTech will be covering the event in detail, providing updates on everything from synthesizers and plugins to headphones and MIDI controllers. Among the highlights is Buso Audio’s Producer 3 Rise Pro studio desk, which offers a versatile setup for both sitting and standing, equipped with three 6U rack slots and a height-adjustable keyboard tray. Audient's iD48 audio interface introduces Switchable Analogue Insert technology, allowing users to route signals efficiently between their DAW and external gear. Korg is also making waves with the release of the Mini/Poly module and plugin, the miniKorg 700sm, and the return of the Kronos workstation, each bringing unique features and compact designs to the market.
Caldecott Music Group (CMG), a global leader in the music industry, has announced two significant appointments to enhance its commitment to empowering music creators worldwide. Long-serving leader David Nam Le has been promoted to Managing Director of Vista Musical Instruments, while music industry veteran Jon Bahr joins BandLab Technologies as Senior Advisor, Artist & Label Services. CMG's Group CEO, Meng Ru Kuok, describes these new leaders as "passionate and experienced," highlighting their roles in delivering meaningful products and experiences for the global music community.
Le has had a distinguished career at Swee Lee, where he rose through various roles to become instrumental in the relaunch of the legendary guitar brand Harmony and the acquisition of MONO and Heritage Guitars. His new position will see him collaborating on higher-level strategy and cross-group initiatives. Bahr, who brings extensive experience from Downtown Music Holdings and ASCAP, will guide BandLab Technologies' expanding artist service offerings, including licensing, distribution, and industry partnerships. Both appointments underscore CMG's dedication to innovation and growth in the music sector.
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Roger Linn, the legendary designer behind the iconic LinnDrum, has spoken out about the importance of consent in gear emulations. The LinnDrum, launched in 1982 by Linn Electronics, was a groundbreaking drum machine that used samples of real drums. Recently, Behringer released its LM Drum for $399, promoting it as a modern reinterpretation with additional features like MIDI support. However, Linn has expressed his dissatisfaction with the product, stating that CEO Uli Behringer never sought permission to copy the visual design or drum sounds from the original LinnDrum.
In an essay on his official website, Linn emphasized that while he believes Behringer's actions may be legal, he questions their ethicality. He told Attack Magazine that engaging in legal battles is not his interest; instead, he prefers focusing on creating new instruments. When asked about what would constitute an ethical approach to remaking a product, Linn simply stated, “Asking my permission would be appreciated.” In contrast, Joe Britt’s revival of the LM-1 as the Luma1, which was done with Linn's approval, showcases a more collaborative and respectful approach to recreating classic instruments.
DPA Microphones has taken a significant step in expanding its market presence by acquiring a majority share of Austrian Audio, a Vienna-based brand known for its high-end audio solutions. This strategic partnership aims to broaden the product range while maintaining a focus on the premium segment of the market. DPA, already a leader in miniature microphones, complements Austrian Audio's expertise in large diaphragm microphones, setting the stage for the development of more sophisticated and professional audio solutions.
Both companies are enthusiastic about this collaboration, with DPA Microphones CEO Kalle Hvidt Nielsen expressing excitement over joining forces with a "rising star" like Austrian Audio. Nielsen believes that together, they can innovate further and enhance customer service, elevating both brands to new heights. Martin A. Seidl, CEO of Austrian Audio, shares this sentiment, noting the honor and recognition his company has received after just four years in the market. The partnership will be on display at the NAMM Show in January, where representatives from both companies will be available to discuss their future plans.
When it comes to enhancing your computer's performance for music production, there are a few essential components you can upgrade. These upgrades can make a significant difference in your workflow and overall experience. Here’s a breakdown of the simplest parts to consider:
When evaluating the best PCs for music production, we conduct a series of tests to ensure they meet the necessary performance standards:
A good music production PC should perform well in all these areas to ensure a smooth and efficient workflow.
For more detailed information and reviews, visit MusicRadar.
One of the fields set to thrive in the coming year is MusicTech, according to Horizon Capital Managing Partners Yaniv Jacobi and Lior Segal. Over the past two years, we've seen a significant revolution from the fusion of AI and music. However, many companies entered this space unethically, using content without proper licenses, which led to numerous lawsuits and slowed industry progress. Now is the time for companies with real technology to shine by protecting artists' rights and driving the market in a positive and sustainable direction.
Horizon Capital has identified Aiode as a standout company within the MusicTech sector. Supported by Abbey Road Red, Aiode bridges the gap between the creative freedom of working with live musicians and the convenience of digital music production. By modeling real musicians to their virtualized selves using advanced proprietary AI, Aiode revolutionizes audio synthesis, allowing music-makers to collaborate with a suite of modeled musicians skilled in different instruments and styles. This not only makes music creation more accessible and efficient but also supports the musicians' community by creating new revenue streams while ensuring ethical AI training and legal data sourcing.
The NAMM 2025 show is set to take place in Anaheim, Los Angeles, from January 21 to January 26. This annual event is a hub for the latest innovations in music technology, with a strong focus on synthesizers and electronic instruments. Attendees can expect to see new models from established brands like Korg, as well as exciting releases from smaller developers in the Eurorack modular synth community.
In addition to the array of new synths, NAMM 2025 will also showcase a variety of guitar-related products, including numerous effect pedals making their debut. While Synth Anatomy won't be physically present in Anaheim this year, we will closely follow the show and provide comprehensive coverage of all the relevant news and updates for the synth community and electronic music enthusiasts.
The UK government is taking steps to address the issue of ticket touts by potentially introducing new regulations on resale websites. Culture Secretary Lisa Nandy has launched a consultation aimed at ending the "misery" of fans being exploited by touts. The proposals include capping resale prices at a 30 percent uplift, limiting the number of tickets resellers can list to match primary market limits, and scrutinizing dynamic pricing models that have caused frustration among consumers.
The government is also considering legal obligations for resale platforms, making them accountable to trading standards and the competition watchdog for the accuracy of information provided to buyers. This move comes after Prime Minister Keir Starmer's commitment in September to consult on laws surrounding dynamic pricing, following the outrage over inflated ticket prices for Oasis’ reunion tour. The consultation is now open to public feedback until 4 April 2025. DJ Fatboy Slim has welcomed these changes, emphasizing that they will help put money back into fans' pockets rather than resellers'.
The CEO of Suno, a generative AI music app, Mikey Shulman, sparked controversy during an interview on the podcast 20VC. When discussing the future of music and artificial intelligence, Shulman claimed that most people do not enjoy making music. He stated, "I think the majority of people, don’t enjoy the majority of time they spend making music." According to Shulman, creating music is often a laborious process that requires significant time and practice, whether it involves mastering an instrument or becoming proficient in production software.
Shulman’s comments have received widespread criticism on social media platforms like Twitter. Many users and industry professionals argue that the joy of music creation lies precisely in the effort and creativity involved, contradicting Shulman's perspective. The backlash highlights a broader debate about the role of AI in creative industries and the value of human creativity in an increasingly automated world.
Last week, we covered Meta’s adjustments to its content moderation policies ahead of Donald Trump's inauguration on January 20th. Now, it appears that Meta and other major tech companies are facing pressure in a different domain: their diversity, equity, and inclusion (DEI) programs. Axios reported on an internal memo from Meta announcing the termination of some of these initiatives, citing changes in the legal and policy landscape surrounding DEI efforts in the United States.
Amazon is also reassessing its DEI strategies, with its VP of inclusive experiences and technology, Candi Castleberry, describing the move as a process to "wind down outdated programs and materials" while focusing on those with proven outcomes. In contrast, Apple has resisted calls from shareholders to end its DEI programs, affirming its commitment to creating a culture of belonging where everyone can thrive. However, it seems that overall, Big Tech in the U.S. is aligning its strategies with the new administration’s direction, as noted by Epic Games CEO Tim Sweeney, who sarcastically observed this shift as an attempt to curry favor.
SourceAudio, the leading sync platform in the music industry, has marked 2024 as its most successful year to date. The company achieved a milestone of 59 million track downloads, doubling the amount from the previous year. This impressive growth was supported by the addition of nearly 100,000 tracks per week, bringing the total library to an astounding 33 million unique, pre-cleared tracks. Over 3,800 new catalogs were added to the platform in 2024, representing a 40% increase from 2023. Today, SourceAudio supports over 446,000 songwriters and 116,000 publishers.
In addition to its extensive music library, SourceAudio saw significant user growth, reaching a total of 570,000 professional users, with more than 1,000 new users joining each week. The platform is now adopted in over 186 countries, serving over 140 broadcast and streaming networks that conducted 2.4 million music searches in 2024. More than 1,000 mainstream podcasts and 2,500 radio stations globally licensed music from SourceAudio. The company also introduced innovative tools such as an AI playlist generator and an AI metadata-tagging tool, further enhancing the user experience and efficiency of its services.
Korg has announced a major update to its iconic Kronos workstation at NAMM 2025, reviving the beloved model with significant performance enhancements and an expanded sound library. The new Kronos features a reengineered system architecture that boasts a 60% faster startup time, alongside a redesigned touchscreen interface for improved responsiveness and user experience. Despite these updates, the overall design remains familiar, retaining the nine independent sound engines that are each essentially self-contained synthesizers.
These engines cover a wide range of sounds, including piano, organ, and electric piano emulations, as well as virtual analog synths based on Korg classics, PCM sampling synthesis, FM, and physical modeling. The new Kronos also introduces 256 additional programs, such as a new Italian Grand Piano and expanded FM-based piano sounds, alongside the full library of over 300 existing sound libraries from previous versions. The workstation is further enhanced by a 62GB SSD for user sampling and sound expansion, 16 audio and MIDI tracks for sequencing, and robust Set List capabilities. While the system runs on an updated version of the familiar OS (Kronos System Version 3.2), it remains backward compatible with older models, ensuring that users can continue to leverage their existing sound investments.
Streaming royalties have long been a contentious issue in the music industry, with platforms like Spotify often profiting while many artists struggle to make ends meet. Chris Castle’s article delves into this disparity by examining "Weird Al’s Spotify Sandwich," a satirical take on the streaming economy by comedian and musician Weird Al Yankovic. In his video, Weird Al humorously criticizes the meager earnings from streaming platforms, highlighting how even a well-known artist can find it difficult to sustain a living through these services. The core issue lies in the way royalties are calculated and distributed, often leading to an unfair distribution of income.
Castle argues that the assumption that streaming royalties are fair, regardless of what artists and songwriters say, is fundamentally flawed. He likens the royalty distribution model to Malthusian algebra, where the ever-increasing number of tracks (population) outstrips the available revenue (food supply), leading to a race to the bottom in earnings for individual artists. This model benefits tech companies by capping their royalty exposure while driving down per-stream rates. As a result, very few artists can rely solely on streaming income, and the economic realities are starkly reminiscent of Malthus's theories on population growth and resource scarcity. The implications of this system have been particularly evident during the COVID-19 pandemic, when many artists faced financial hardships exacerbated by the limitations of streaming royalties.
NAMM 2025 is set to introduce a remarkable addition to the world of synthesizers with The Eighty, an emulation of Yamaha's legendary CS-80 by French developer XILS-lab. The CS-80, originally released in the '70s, is renowned for its rich, cinematic sound and expressive capabilities, making it a favorite among musicians and producers. However, due to its weight and exorbitant cost, access to this iconic instrument has been limited to a select few.
XILS-lab's The Eighty aims to bridge this gap by offering an authentic digital recreation of the CS-80 while adding modern enhancements. The synth features meticulously modeled oscillators and filters that capture the original's sonic characteristics, along with a third timbral layer for expanded sound design possibilities. Additional effects like delay, phaser, reverb, ring modulator, and EQ are included, providing users with more flexibility and creative options. Available in multiple formats for both macOS and Windows, The Eighty is currently priced at €89 until January 31st, making it an accessible option for those looking to experience the legendary CS-80 sound.
CDR has launched Pathways, a groundbreaking talent development program supported by the PRS Foundation. This three-year initiative aims to support and nurture emerging electronic music artists, democratizing access to industry opportunities that are often out of reach for many talented individuals. Participating artists will receive label releases from CDR, mentorship from industry professionals, production funding, and A&R guidance, including advanced royalties.
Tony Nwachukwu, the founder of CDR and a respected figure in electronic music production and education, leads this initiative. With over two decades of industry expertise and his current role as Head of Music Tech & Production at the University of East London, Nwachukwu is well-equipped to guide the program. He expresses enthusiasm about launching Pathways with three promising artists: NIIX, MJSB, and Zar. The inaugural cohort will benefit from mentorship by Tom Lea of Local Action Records, along with experts from Bandcamp, Glisten PR, and POLY Artists. The first Pathways release is set for early February 2025, marking the beginning of this innovative and supportive venture in electronic music.
This article explores the vibrant landscape of African digital music producers who are revolutionizing the global music scene. By blending traditional sounds with modern technology, these artists create compelling beats and melodies that resonate worldwide. Their innovative approach not only highlights the rich cultural heritage of Africa but also propels it into contemporary relevance.
Their contributions extend beyond just musical innovation; they are pivotal in elevating Africa's profile on the international stage. These producers are not only shaping the future of music but also fostering a deeper appreciation for African artistry and creativity. Through their work, they bridge cultures and inspire a new generation of musicians to embrace their roots while pushing boundaries.
Scaler Music and Plugin Boutique are set to unveil Scaler 3 at NAMM 2025, a significant update that promises to revolutionize music creation and theory exploration. The new version features a completely rebuilt user interface while maintaining the familiar elements of its predecessor, ensuring that existing users can transition smoothly. One of the most notable additions is the ability to run Scaler 3 as a standalone program, expanding its versatility for songwriters and producers.
The updated UI is organized into three main pages: Browse, Create, and Arrange. The Browse page offers an extensive library of chord progressions, sequences, and scales, allowing users to experiment with variations and discover new ideas. The Create page enables the assembly of musical elements into cohesive forms, while the Arrange page provides a multi-lane timeline view for structuring songs. Additionally, Scaler 3 introduces the Explore and Colors pages, which offer genre-specific chord navigation and a comprehensive view of chord voicings and harmonic alternatives, respectively. These features aim to enhance creativity and provide deeper insights into music theory.
A new UK-based company, Melody Rights, has launched a music tech platform aimed at revolutionizing how music creators manage and distribute their content. According to its press release, Melody Rights positions itself as a distribution company but with a unique approach. Unlike traditional distributors like CD Baby or DistroKid, which focus on getting music onto major DSPs such as Spotify and Apple Music, Melody Rights targets a different market. Its distribution network includes top-tier platforms in stock music, gaming, and social music categories, with plans for rapid expansion.
The company's unique selling point (USP) is its focus on the behind-the-scenes work to ensure musicians are paid every time their music is played, streamed, synced, or downloaded. Instead of concentrating on getting music onto streaming platforms, Melody Rights emphasizes selling music and tracking where it is used to generate income. This approach allows artists to tap into a broader range of revenue streams beyond just DSPs. Founded by British music composer, sound designer, and songwriter Bobby Cole, Melody Rights will register users' music for various licensing platforms like AudioSparx, Motion Elements, Pond5, and DepositPhotos, as well as gaming platforms such as Itch.io and Game Dev Marketplace. The company also handles uploads to social music platforms like SoundCloud, MixCloud, Bandcamp, and ReverbNation, ensuring that creators don’t miss out on any potential revenue.
Teenage Engineering OP-XY: In-depth Review
The Teenage Engineering OP-XY is a powerhouse of creativity and performance, offering an extensive array of features that make it a compelling choice for musicians and producers. Despite its four-digit price tag, the device's capabilities are truly impressive, making it a versatile tool for creating entire tracks on the fly.
The OP-XY boasts a sleek, modern design that appeals to both professionals and enthusiasts. The device's build quality is top-notch, making it durable enough for live performances. The gyration abilities add a unique performance element, setting it apart from other devices in the market.
While the price tag of $2,300 is significant, the OP-XY offers a level of integration and performance that is hard to match. For those who prioritize portability, immediate access to advanced features, and a unique aesthetic, the cost may be justified.
The OP-XY is a remarkable device that combines advanced features, real-time performance capabilities, and a cool aesthetic. While it may not be the most cost-effective option, its unique selling points make it a compelling choice for those who value portability, immediate access to creative tools, and a distinctive look. Whether you need it or not, there's no denying that the OP-XY is a desirable piece of equipment, and many will find it hard to resist.
For a practical demonstration of what the OP-XY can do, check out this hands-on video where Teenage Engineering creates a track in just 50 seconds:
For detailed specifications and further information, visit the official Teenage Engineering website or refer to the product manual.
Whether you're a seasoned producer or just starting out, the OP-XY is definitely worth considering if you’re looking for a high-end, all-in-one music creation and performance tool.
Hei-tung, a Form Six student at Diocesan Girls’ School, has made significant strides in pushing boundaries and bringing new ideas to her school and community. Her efforts were recently recognized with the Best Devotion to School award at the prestigious Student of the Year awards, organized by the South China Morning Post and sponsored by the Hong Kong Jockey Club. Hei-tung expressed her gratitude for the support she has received from her school, noting that these opportunities have allowed her to explore new horizons.
One of Hei-tung’s notable projects involved blending Chinese, Western, and choir music for a school charity fair around Christmas time. The event was not only festive but also innovative, as it showcased the dynamic nature of Chinese music in a modern context. Another significant project she undertook with her classmates was the development of an AI device to help beginner double bass players detect posture issues. Recognizing the challenges faced by students learning this instrument, they created an AI system that uses a camera and a Microbit sensor to provide real-time feedback, enhancing their practice sessions.
Hei-tung has also taken on leadership roles in civic education, serving as a deputy leader of her school’s Civic Education Team and a Basic Law Ambassador. She has organized various events to increase students’ understanding of national laws, including theme weeks, talks, and even a Basic Law treasure hunt. Her commitment extends beyond event organization; she actively involves students in discussions about the country’s development and invites experts to share insights on governance and government functions. Reflecting on her experiences, Hei-tung feels that these roles have made her more proactive and innovative, broadening her perspective and preparing her for future challenges.
Looking ahead, Hei-tung is considering a career in medicine or medical technology, aiming to combine her interests in technology and healthcare. She envisions using artificial intelligence to make meaningful contributions to society, whether through advancements in healthcare or promoting Chinese music and culture. Her dedication and multifaceted approach to personal and community growth highlight her potential as a future leader and innovator.
When it comes to choosing between over-ear headphones and in-ear earbuds, several factors can influence your decision, particularly in terms of sound quality, noise cancellation, and overall user experience. Here's a detailed comparison:
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Whether you choose over-ear headphones or in-ear earbuds depends on your specific needs and preferences. Over-ears excel in sound quality, noise cancellation, and long-term comfort, while in-ear earbuds offer portability and convenience. Consider these factors to make an informed decision that suits your lifestyle and audio preferences.
NAMM 2025 has seen the exciting announcement of the Audient iD48, a flagship 8-channel USB-C audio interface that promises to be the ultimate solution for producers, engineers, and musicians. This versatile device is designed to cater to both home studios and professional environments, combining "astonishing" audio performance with an intuitive user experience. The iD48 offers a robust I/O setup, supporting up to 24 inputs and 32 outputs via ADAT or S/PDIF, making it capable of handling any session with ease.
The iD48 features eight low-noise, low-distortion Audient Console Mic preamps, identical to those found in the brand's high-end ASP8024-HE recording console, providing 68dB gain for exceptional clarity. The 24-bit/96kHz rackmount interface also includes 32-bit ESS DAC converters with a dynamic range of 126.5dB, ensuring detailed and clear audio reproduction. Additionally, two discrete JFET instrument inputs cater to guitarists, while the newly introduced Switchable Analogue Insert technology allows for seamless routing of audio to external gear via eight balanced inserts. The iD48 is also equipped with dual headphone outputs, main and alt speaker outputs, and dedicated talkback functionality, all managed through the intuitive iD Mixer software. Available from March 3, 2025, the iD48 is priced at $999/€899/£799.
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At MusicRadar, we combine hands-on experience, user reviews, and expert discussions to select the best vocal microphones. Our team of musicians evaluates products based on various criteria including budget, features, ease of use, and durability.
For more details on our testing methodology, visit How We Test Music Gear and Services at MusicRadar.
By carefully considering these factors, you can find the perfect microphone to suit your specific needs and create high-quality vocal recordings.
Korg’s Multi/Poly, one of the standout synths of 2025, is a modern take on the classic Mono/Poly analogue synth. While it draws inspiration from its predecessor, the Multi/Poly is a digital powerhouse with advanced features that go beyond simple emulation. Available in both a 37-key keyboard version and a rack-mountable module, this synthesizer offers four timbral layers, each equipped with four oscillators capable of generating virtual analogue waves, dual analogue modelling filters, and flexible wavetable and waveshaping modes.
The Multi/Poly’s standout feature is its Layer Rotate function, which cyclically triggers the four synth timbres in a round-robin manner, reminiscent of the original Mono/Poly. This, combined with an X/Y pad featuring a virtual physics engine for creative modulation, a variety of modelled filter types, and a deep multi-lane sequencer, makes it a versatile tool for sound design. The module version is 60-voice polyphonic, supports MIDI 2.0, and includes balanced stereo outputs, MIDI connectivity, and USB for use with Korg’s desktop editor/librarian application. Priced at £709, the Multi/Poly M delivers a comprehensive synth experience without the keyboard, making it an excellent choice for studio setups and rack configurations.
In the ever-evolving landscape of the music industry, icons like Daddy Yankee are leading the charge by blending cutting-edge artificial intelligence (AI) with traditional musical artistry. Known for global hits such as “Gasolina” and “Despacito,” Daddy Yankee is at the forefront of a digital transformation that promises to redefine his sound and fan engagement. By leveraging AI-powered tools, he is crafting more dynamic beats and melodies, pushing creative boundaries while staying true to his iconic style.
AI is also helping Daddy Yankee tailor personalized music experiences for his fans. Utilizing data analytics, he can gain insights into listener preferences and create customized playlists that resonate deeply with diverse audiences worldwide. This not only strengthens fan engagement but also broadens his global presence by tapping into new markets. Looking ahead, Daddy Yankee plans to incorporate AI into live performances, offering immersive, interactive concerts where visual and auditory elements adapt in real-time to audience reactions, promising a revolutionary concert experience.
The integration of AI into music heralds a new era of innovation and creativity. As pioneers like Daddy Yankee lead the charge, the market is poised for transformative growth. By blending human ingenuity with machine precision, he is setting the stage for the next wave of music industry advancements, charting a course toward an unprecedented future in music.
Nord has unveiled the Nord Piano 6, a new addition to its flagship piano range, offering enhanced flexibility for performance and sound creation. The Nord Piano 6 introduces advanced layering capabilities, allowing users to combine two independent piano layers and sample-based synth layers. Each layer is controlled by its own LED-equipped fader on the redesigned interface, making it easy to balance and adjust various timbral elements. Additionally, the keyboard can be split between the piano and synth engines, providing a versatile setup for live performances or studio sessions.
The Nord Piano 6's new interface also provides hands-on control over modulation, EQ, and effects such as delay and reverb. It introduces new spring reverb and spin effect types, along with enhanced delay modes and amp tone options. Effects can be applied individually to each layer, except for the global reverb send. Both the piano and synth sections feature meticulously sampled instruments from Nord’s extensive library, including a wide selection of grand, upright, and electric pianos. The synth section offers a diverse range of classic analogue sounds, guitars, and orchestral instruments, enhanced with round-robin sampling for increased realism. Available in 73 and 88-note models, the Nord Piano 6 is priced at £2,999 and £3,299, respectively, though specific release dates are yet to be announced.
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By leveraging our extensive experience and rigorous testing criteria, we aim to provide you with the most accurate and helpful information to make your next keyboard purchase a success. Trust MusicRadar to help you find the perfect instrument tailored to your needs and preferences.
TikTok has revolutionized how music is discovered and marketed, serving as a vital platform for both emerging and established artists. The app's potential ban in the United States has sparked widespread concern, with industry analysts warning of a "marketing apocalypse" if TikTok goes dark. For years, TikTok has been an indispensable tool for musicians to build their audiences and achieve mainstream success, often acting as a central hub where viral moments can turn into hits. Artists and digital marketing companies are now racing to back up content and explore alternative platforms.
As the industry contemplates life without TikTok, platforms like YouTube Shorts and Instagram Reels are being considered as potential replacements, though neither has achieved the same cultural impact. Experts suggest that while these alternatives have similar user bases, they lack the unique discovery mechanism that TikTok offers, where viral sounds can quickly gain traction. Some artists may find relief from the constant pressure to create viral content, but the challenge of maintaining a presence in an increasingly fragmented digital landscape remains. The global music industry will continue to adapt, with new platforms and strategies emerging to fill the gap left by TikTok's potential absence.
The music industry is witnessing an unprecedented transformation, thanks to the advent of artificial intelligence in music creation. The recent buzz surrounding the collaboration between Pitbull and Bon Jovi—dubbed “AI-JoviPit”—is not only intriguing for its fusion of electronic beats with rock anthems but also for its groundbreaking use of AI-generated music. This project leverages advanced machine learning algorithms to blend different musical styles, creating unique tracks that maintain the essence of both artists while exploring new thematic elements.
The implications of AI in music are vast. From enabling artists to explore new genres without stepping into a studio to providing unique fan experiences through personalized music, the trends indicate a shift toward more technologically-driven creativity. Independent artists and producers can harness these AI tools to redefine their sound and reach wider audiences. Moreover, AI-generated music provides a repertoire that suits a variety of settings, from film scoring to digital marketing. As we await the official release of “AI-JoviPit,” it is clear that this collaboration marks the beginning of a creatively charged era within the music industry.
The Queen of Pop Ventures Into AI: A New Horizon for Music and Concerts
Madonna, an icon known for her constant reinvention, is setting her sights on a new challenge: integrating artificial intelligence (AI) into the music industry. This ambitious move could transform how artists connect with fans, merging technology and creativity in unprecedented ways. By leveraging sophisticated AI algorithms, Madonna aims to create highly personalized musical experiences that adapt to listeners' moods and preferences in real-time.
Reimagining Concerts with Interactive Innovation
Beyond the studio, Madonna’s exploration of AI hints at a groundbreaking shift in live performances. Imagine attending concerts where AI-driven holograms of Madonna dynamically interact with the crowd, tailoring each show to the audience's unique energy. This innovative approach promises to redefine entertainment, offering an unprecedented level of interactivity and personalization. As Madonna leads this charge, she not only adapts to technological changes but sets a new standard for how artists can harness digital tools to enhance their creative expression.
In an era where technology reshapes every facet of life, Madonna, the legendary Queen of Pop, is once again breaking barriers with her latest innovation—”Madonna AI.” This groundbreaking initiative stands poised to transform the music industry by integrating Artificial Intelligence in ways never seen before, setting a precedent for how artists engage with their audiences. By merging cutting-edge technology with live performances, Madonna is not just altering the concert experience; she is initiating a broader paradigm shift that could redefine the entertainment landscape and its impact on the world.
Madonna’s innovative use of AI offers a glimpse into the concerts of the future. By employing sophisticated AI algorithms, her performances now adapt in real-time to audience reactions, ensuring each concertgoer experiences a singular, personalized show. This level of customization not only enriches fan involvement but also opens new doors for crowd engagement, propelling live music into a dynamic realm where each performance can vary based on the mood and energy of the crowd. Additionally, Madonna introduces an avant-garde virtual fan platform that allows unprecedented interaction, with fans able to communicate with a Madonna AI avatar, receiving personalized messages and engaging in simulated conversations.
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